Yggdrasil - nordische Mythologie. Die nordische Legende des Weltbaums - Yggdrasil. Möglicherweise haben die Kelten ihr Baum des Lebens als Symbol. Bildergebnis für yggdrasil symbol Keltische Symbole, Keltische Kunst, Schlüsselanhänger Selber Machen, Keltische Designs. Gemerkt von karavokiris.com - Yggdrasil symbol is among the most powerful Viking protection symbols. In Norse mythology, the Yggdrasil Great Tree connected the Nine Worlds.
Baum der Lebens BedeutungBildergebnis für yggdrasil symbol Keltische Symbole, Keltische Kunst, Schlüsselanhänger Selber Machen, Nordisches Tattoo. Gemerkt von karavokiris.com Bildergebnis für yggdrasil symbol Keltische Symbole, Keltische Kunst, Schlüsselanhänger Selber Machen, Keltische Designs. Gemerkt von karavokiris.com Yggdrasil, altnordisch Yggdrasill, auch: Weltesche, ist in der nordischen Mythologie der Name einer Esche, die als Weltenbaum den gesamten Kosmos.
Yggdrasil Symbol Style Variations: bold - light - outlined - colorable VideoVIKING SYMBOLS meaning and pronunciation
A fourth option is proposed by F. Still the horse of the hanged description of gallows is common enough for this theory to be possible as well.
Additionally, nowhere in Norse myths is it said that Yggdrasil is destroyed during Ragnarok — the prophesied end of the world in Norse mythology.
In fact, most scholars believe, that Yggdrasil is meant to survive Ragnarok and start a new cycle of life after it. All Norse cultures revered trees, from the ancient Germanic tribes, through to the people in northern Scandinavia, and to the Anglo-Saxons in the Albion.
They held warden trees in especially high regard as they were believed to be bringers of luck and guardians of the people. These trees were usually ash, elm or linden and were protected by the people.
Such warden trees were often planted on top of burial mounts and people commonly buried offerings in their roots as well.
The wolf is a more enigmatic motif, as it can have several meanings. The most famous to the Vikings was Fenrir or Fenris-wolf. Fenrir is one of the most frightening monsters in Norse mythology.
When the gods saw how quickly Fenrir was growing and how ravenous he was, they tried to bind him — but Fenrir broke every chain.
Finally, the dwarves made an unbreakable lashing with which the gods were able to subdue the creature — but only after he had ripped the god Tyr's hand off.
Fenrir is fated to escape someday, at the dawning of Ragnarok, and will devour the sun and moon and even kill Odin in the last days. Not all the wolves in Norse culture were evil.
Odin himself was accompanied by wolves, named Geri and Freki both names meaning, Greedy who accompanied him in battle, hunting, and wandering.
This partnership between god and wolves gave rise to the alliance between humans and dogs. It is not entirely clear whether this was a synonym or a separate class of berserker.
We may never know for certain. The wolf has both positive and negative connotations in Norse culture. The wolf can represent the destructive forces of time and nature, for which even the gods are not a match.
The wolf can also represent the most valued characteristics of bravery, teamwork, and shamanistic power. The unifying characteristic in these two divergent manifestations is savagery and the primal nature.
The wolf can bring out the worst or the best in people. All this he can do at incredible speeds. While the other gods ride chariots, Odin rides Sleipnir into battle.
Sleipnir has a weird family. Some experts hypothesize that Sleipnir's octopedal sliding was inspired by the "tolt" - the fifth gait of Icelandic horses and their Scandinavian ancestors that make them very smooth to ride.
While this may or may not be true, the idea of eight-legged spirit horses is a very, very old one. Sleipnir's image, or rumors of him, appear in shamanistic traditions throughout Korea, Mongolia, Russia, and of course Northwestern Europe.
As in Norse mythology, these eight-legged horses are a means for transporting souls across worlds i. These archeological finds are at least a thousand years older than Viking influence, showing that the roots of this symbol indeed go deep.
Sleipnir symbolizes speed, surety, perception, good luck in travel, eternal life, and transcendence. He combines the attributes of the horse one of the most important and enduring animals to humankind and the spirit.
He is especially meaningful to athletes, equestrians, travelers, those who have lost loved ones, and those yearning for spiritual enlightenment.
The Vikings had lots of stories of dragons and giant serpents and left many depictions of these creatures in their art.
The longship — the heart and soul of the Viking — were even called "dragon ships" for their sleek design and carved dragon-headed prows. These heads sometimes would be removed to announce the Vikings came in peace as not to frighten the spirits of the land, the Icelandic law codes say.
The common images of dragons we have from fantasy movies, with thick bodies and heavy legs come more from medieval heraldry inspired by Welsh Celtic legends.
The earliest Norse dragons were more serpentine, with long coiling bodies. They only sometimes had wings, and only some breathed fire.
Some Norse dragons were not just giant monsters - they were cosmic forces unto themselves. Jörmungandr also called "The Midgard Serpent" or "The World-Coiling Serpent" is so immeasurable that he wraps around the entire world, holding the oceans in.
Jörmungandr is the arch-enemy of Thor, and they are fated to kill each other at Ragnarok. Luckily, not all dragons were as big as the world - but they were big enough.
Heroes like Beowulf met their greatest test against such creatures. Ragnar Lothbrok won his name, his favorite wife Thora , and accelerated his destiny by slaying a giant, venomous serpent.
Dragons are as rich in symbolism as they were said to be rich in treasure. As the true, apex predator, dragons represent both great strength and great danger.
With their association with hordes of gold or as the captors of beautiful women, dragons can represent opportunity through risk. Most of all, dragons embody the destructive phase of the creation-destruction cycle.
This means that they represent chaos and cataclysm, but also change and renewal. There are numerous other animal motifs in Norse art and culture.
Many of these are the fylgja familiars or attendant spirits of different gods. Thor had his goats , and Heimdall had his rams.
Freya had a ferocious boar to accompany her in war, named Hildisvini "Battle Swine". Her brother, Freyr or Frey - the god of sex, male fertility, bounty, wealth, and peace who, along with Freya, aptly lends his name to Friday - had a boar named Gullinborsti "Golden-Bristled" as his fylgia.
Seeing Gullinborsti's symbol or other boar motifs would make a Viking think of peace, happiness, and plenty. Boars are also significant in Celtic mythology, such as the fertility god Moccus, or the Torc Triatha of the goddess Brigid.
The Vikings believed cats were the spirit animals flygjur or familiars of the Vanir goddess, Freya. Freya was the goddess of love, sex, and romantic desire — but she was not just some northern version of Venus.
Freya was a fearsome goddess of war, as well, and she would ride into battle on her wild boar, Hildisvini "Battle Swine". Like Odin, Freya also selected the bravest of slain warriors for the afterlife of Valhalla.
Freya had other parallels to Odin, including her association with magic and arcane knowledge. Freya is said to have taught Odin much of what he knows of the secret arts.
She is also a lover of poetry, music, and thoughtfulness. As a Vanir goddess and the sister some say, twin of the god Frey or Freyr , Freya is a goddess of prosperity and riches.
Freya is a fertility goddess. Though she cries her amber tears when she misses her wandering husband, skaldic poetry tells us that she has an unbridled sexuality.
In Norse mythology, Freya is often depicted as the object of desire not only of gods but of giants, elves, and men, too. When not riding Hildisvini into the thick of battle or using her fabulous falcon-feather cloak to shape shift into a lightning-fast bird of prey, Freya travelled in a chariot drawn by black or gray cats.
Some folklorists see the image of the goddess getting cats to work together and go in the same direction as a metaphor for the power of feminine influence — a reoccurring theme in the Viking sagas.
The cat probably reminded Vikings of Freya because of the common personality traits: cats are independent but affectionate when they want to be; fierce fighters and lethal hunters but lovers of leisure, luxury, and treasures.
This association between the goddess of magic and her cats may be why cats became associated with witches during the later Middle Ages and through our own time.
In Norse art or jewelry, the symbol or motif of the cat is meant to denote the blessing or character of Freya, with all her contradictions and strength: love and desire, abundance and beauty, valor and the afterlife, music and poetry, magic and wisdom..
Bears The bear was one of the most powerful and ferocious animals the Vikings knew. The very sight of a bear in the wild would make the bravest of men back away slowly.
They are massive, fast, and deadly, and their hide and fur resist most weapons. It is easy to see why the Vikings would be fascinated by them and would want to emulate them.
Penguin Classics. The Lost Beliefs of Northern Europe. Oxford University Press. Dictionary of Norse Myth and Legend. The Elder Edda of Saemund Sigfusson.
The cosmological tree Yggdrasil and its inhabitants in Norse mythology. Sacred trees and groves in Germanic paganism and mythology Nine Worlds Norse cosmology.
In stanza 31, Odin says that the ash Yggdrasil has three roots that grow in three directions. He details that beneath the first lives Hel , under the second live frost jötnar, and beneath the third lives mankind.
Within the list, Odin mentions Yggdrasil first, and states that it is the "noblest of trees". In Gylfaginning , Yggdrasil is introduced in chapter In chapter 15, Gangleri described as king Gylfi in disguise asks where is the chief or holiest place of the gods.
High replies "It is the ash Yggdrasil. There the gods must hold their courts each day". Gangleri asks what there is to tell about Yggdrasil. Just-As-High says that Yggdrasil is the biggest and best of all trees, that its branches extend out over all of the world and reach out over the sky.
In chapter 16, Gangleri asks "what other particularly notable things are there to tell about the ash? High continues that an eagle sits on the branches of Yggdrasil and that it has much knowledge.
In chapter 64, names for kings and dukes are given. Hilda Ellis Davidson comments that the existence of nine worlds around Yggdrasil is mentioned more than once in Old Norse sources, but the identity of the worlds is never stated outright, though it can be deduced from various sources.
Davidson comments that "no doubt the identity of the nine varied from time to time as the emphasis changed or new imagery arrived". Davidson says that it is unclear where the nine worlds are located in relation to the tree; they could either exist one above the other or perhaps be grouped around the tree, but there are references to worlds existing beneath the tree, while the gods are pictured as in the sky, a rainbow bridge Bifröst connecting the tree with other worlds.
Davidson opines that "those who have tried to produce a convincing diagram of the Scandinavian cosmos from what we are told in the sources have only added to the confusion".
Davidson notes parallels between Yggdrasil and shamanic lore in northern Eurasia :. The conception of the tree rising through a number of worlds is found in northern Eurasia and forms part of the shamanic lore shared by many peoples of this region.
This seems to be a very ancient conception, perhaps based on the Pole Star , the centre of the heavens, and the image of the central tree in Scandinavia may have been influenced by it Among Siberian shamans, a central tree may be used as a ladder to ascend the heavens.
Davidson says that the notion of an eagle atop a tree and the world serpent coiled around the roots of the tree has parallels in other cosmologies from Asia.
She goes on to say that Norse cosmology may have been influenced by these Asiatic cosmologies from a northern location.
Davidson adds, on the other hand, that it is attested that the Germanic peoples worshiped their deities in open forest clearings and that a sky god was particularly connected with the oak tree, and therefore "a central tree was a natural symbol for them also".While it may initially seem a bit jagged and rough around the edges, these aspects of this Yggdrasil are what truly gives it character. These Em Live Score finds are at least a thousand years older than Viking influence, showing that the roots of this symbol indeed go deep. The cosmic forces and fate Where Can I Cash A Check From A Bovada active in everything.